Eva López CrevillénDirector of the Superior Conservatory of Dance María de Ávila (Madrid)Classical and Neoclassical ballet teacher

Professor of analysis and practice of the classical dance repertoire (first in Spain)
Doctor in performing arts from Rey Juan Carlos University
Choreographic assistant to Nacho Duato at the Bolshoi Theater in Moscow; Mikhailosky Theater in St. Petersburg; Swedish Royal Ballet; Opera in Lyon; Seoul Universal Ballet, Harlem Dance Theater.

Soloist and First Ballerina within the National Dance Company of Spain. For two decades he has danced around the world the main roles of traditional classical repertoire, neoclassical and contemporary dance, working under the leadership of Maya Plisestkaya, Ray Barra and Nacho Duato, which allows him to know the choreographic works of Duato himself (“Jardí” Closed “,” Romeo and Juliet “,” Arenal “,” Ecos “,” Por Vos Muero “,” Duende “…), by Petipa (” La Fille Mal Gardée “,” Raymonda “,” Lake Swan “,” Beauty ” asleep “,” Corsair “and” Romeo and Juliet “, among others), George Balanchine (” Four temperaments “,” Theme and variations “,” Agon “- in the role of pas de deux,” “Serenade”, “Concerto Barroco” , etc.), Glen Tetley (“Volunteers”), Jirí Kylián (“Return to the strange country”, “Forgotten country”, “Petite Mort”, “Stepping Stones”, …), William Forsythe (“In the somewhat high middle” , “The parody of the address villa”, “Herman Scherman”, etc.), Hans van Manen, Ohad Naharin, (“Arbos”, “Kyr”).

Roland Petit selects her to perform the most recognizable works in her repertoire and chooses to dance the role of Albertina in the ballet “Proust ou Les Intermitences du Coeur”, in 64 Maggio Musicale Fiorentino, gaining important critical and public recognition.

He is the first Spanish teacher to be invited to teach contemporary repertoire at the Vaganova Ballet Academy in St. Petersburg.

It prepares students for national and international competitions, where they have won first prizes (Prize of Excellence – Gold Medal – Prix de Lausanne). Some dance or dance in major companies (National Dance Company of Spain; American Ballet; San Francisco Ballet; Les Ballets de Monte-Carlo; Nederlands Dance Theater; Ballett Staatstheater Nürnberg; Compañía Introdans; Ballett Basel; Saatsballett Berlin; Tanz Luzerner Theater ; Aterballetto; Malandain Ballet Biarritz) and others are recognized choreographers and young directors of dance companies (Dance Theater Heidelberg – Germany – among others).

“Relevant Women” from the Murcia region (1st National Congress for Women and Culture, 2002).
Advisor to the Superior Council of Artistic Teaching as a prestigious personality recognized in artistic education.

Member of the State Council of the Performing Arts and Music.

Designated by the Ministry of Education to direct and coordinate, the paper “The project of the Royal Decree establishing the basic structure and content of the higher teaching of the dance regulated by LO 2/2006, of May 3, of Education”.

Member of the selective procedure of the Court for the admission, access and purchase of new specialties of the Body of Music and Performing Arts Teachers.