Liliya Lishchuk
2008 – Graduated from The Vaganova Ballet Academy in (Bachelor of Arts)
2008 – 2014 -artist of Mariinsky Ballet Company.
2014 – 2021 – the principal dancer of Eifman Ballet Company.
2019 – Master degree (pedagogical) Vaganova Ballet Academy in (Bachelor of Arts)
2020 – 2022 – Moscow Art Theatre School (Master degree of Arts), drama and cinema actress.
2021 – 2022 – actress in Moscow Academic Art Theatre.
2021 – 2026 – international ballet dancer and teachers.
Repertoire of the Mariinsky Ballet includes:
La Sylphide (Sylph), Giselle (Monna, Zulma), La Bayadère, The Sleeping Beauty (Candide Fairy, La Fée des Lilas, Maids of onor), The Sleeping Beauty (Lilac Fairy, Candide Fairy, Maids of onor), Swan Lake (BigSwans, Two Swans, The Prince’s bride, Mazurka and Hungarian Dance-soloist), Don Quixote (Street Dancer), Raymonda (Grand pas, variation in the scene Dream), The Nutcracker (The two Snowflakes, The Elegant Ladies, The Rose Waltz), The Nutcracker (Queen of the Snowflakes, Oriental Dance), The Fountain of Bakhchisarai (Zarema, The Second Wife), The Legend of Love (Dance of the Court Dancers), Études (Four soloists), Michel Fokine’s ballets Le Carnaval (Chiarina, Estrella), Schéhérazade (The Odalisques), George Balanchine’s ballets Jewels (Esmeralds, Diamonds), A Midsummer Night’s Dream (Four Fairies), Symphony in C (III, IV. Allegro vivace), Pas de deux of Tristan & Isolda (Isolda).
Featured roles since joining the Eifman Ballet:
Anna (Anna Karenina), Tatyana (Eugene Onegin), Rose Beuret (Rodin), Ballerina (Red Giselle), Grushenka (Beyond Sin), The Empress (Russian Hamlet), Rosemary Hoyt (Up & Down), Tatyana, Nadezhda von Meck, The Countess (Tchaikovsky. PRO et CONTRA), Greta (The Pygmalion Effect).
Repertoire also includes:
Odette/Odile in Swan Lake, Giselle (Giselle, Myrtha), Le Corsaire (Medora), “Paquita” Grand pas (leading role, variations), Sleeping Beauty (Aurora, Princess Florine, Pas-de-deux), Carmen-Suite (Carmen), Michel Fokine’s ballets Chopiniana (Nocturne, Prelude, First Waltz), Schéhérazade (Zobeide), Egyptian nights (Cleopatra), The Firebird. (Firebird), The Dying Swan; Frigiya in Spartacus, Leningrad Symphony (the Girl); La Cachucha, Leda and the Swan, chor. Roland Petit; Russian Dance, Rachmaninov (Natalia, S.Rachmaninov’s wife), Afternoon of a Faun.
Teaching experience:
Since 2014 -nowadays. St.Petersburg: Vaganova Ballet Academy, Eifman Ballet Academy, Eifman Ballet Company, Ballet Class School and Ballet master classes based on the Vaganova method in USA (Chicago, 2017, New York, 2019), Japan (Tokyo, 2019), China ( Shanghai, Beijing, 2018), Poland (Poznań, 2018), Bulgaria (Varna, 2015, 2016, 2017), Spain (Alicante, 2017), Ukraine (Donetsk, 2012-2021, Kiev, 2012), UAE (Dubai, Abu-Dhabi, 2022-2023).
Directions of training:
—classical ballet; —character dance; —historical dance; —partnering; —acting; —classical repertoire (Mariinsky/Kirov style); —“professional physical training” (personal course –rehabilitation and injury prevention); —the development of professional skills; —floor barre (Boris Knyazev method); —pilates;
—stretching.
Scientific activity.
“Features of regulation of copyright in a choreographic work”
“Formation of artistic and stage expressiveness in future ballet dancers”
Vaganova Ballet Academy. The art of choreography.